On April 15, 1978, Columbo aired one of its nastiest murder methods: a killing carried out at a distance, triggered by a single word, and executed by two impeccably trained Dobermans. If you ever needed proof that Columbo can wander into near‑horror territory without losing its identity, this is the exhibit A.
Plot in a nutshell
Dr. Eric Mason is a behavioral psychologist who makes a living lecturing on “life control.” His personal life, however, is a mess. Having discovered that his wife was unfaithful with his colleague and friend, Dr. Charlie Hunter, Mason decides on revenge. He trains his two Dobermans—Laurel and Hardy—to attack when they hear a specific code word. Then he engineers the perfect setup: get Hunter to say the word on the phone while the dogs are in the room, and listen as the ‘accident’ unfolds.
And by the way
Meet Dr. Mason
Nicol Williamson plays Mason as chilly, precise, and oddly
flat—less a flamboyant Columbo villain than a man who’s already checked out of
normal human emotions. That’s not necessarily a bad choice: the episode’s
horror comes from the method, not the charisma of the murderer. But it does
mean the cat‑and‑mouse energy depends heavily on Peter Falk finding ways to
needle him, not on Mason sparking fireworks on his own.
On subsequent viewings I’ve become more and more impressed
with Williamson’s performance. He really brings depth to a complex and
obviously broken character. There are moments where you can see the sadness in him, driven undoubtedly by his wife's infidelity.
“They didn’t like the word ‘death’.”
I’d have been a little concerned if they DID like the word
“death”. I’m not sure that opening scene
makes a lot of sense, I don't really buy his whole "What word controls you" schtick. Though on reflection the whole episode is really about words - and specifically the word that activated the dogs on Charlie.
The Harmony Gold Theater
Laurel & Hardy: the real “weapon”
Columbo usually gives us a murder weapon you can hold: a
gun, a poison, a piece of industrial equipment. Here the ‘weapon’ is alive—and
the episode leans into how unsettling that is. Mason treats the dogs like
extensions of his will. The twist is that Columbo approaches them the opposite
way: he reads them as dogs first, evidence second.
That contrast sets up one of the episode’s best running jokes: Columbo trying to convince his own basset hound that he could be a fearsome guard dog. It’s funny, but it’s also a thematic mirror—what matters isn’t the animal, it’s the conditioning.
"Laurel" and "Hardy" are the perfect name for a pair of dogs owned by a classic movie enthusiast. I can't help but wonder the writer, Anthony Lawrence, had those names in mind from the very beginning.
This isn’t the first episode where an animal is the murder
weapon, by the way, we saw that play out in A Matter of Honor too, where the
murder weapon was a bull.
About that code word: “ROSEBUD”
The trigger word is a cute bit of classic‑movie shorthand,
and the script can’t resist showing off Mason’s film‑buff side. “Rosebud”
immediately calls up Citizen Kane—memory, obsession, and the idea that one
small detail can unlock the whole story. That’s Columbo in miniature: a tiny,
seemingly insignificant thing that cracks open the case.
Grusome end for Charlie
How did he know?
But Columbo already knew...
Film geekery: props, posters, and ego
Mason’s house is a museum of old‑Hollywood bric‑a‑brac. It’s
not just decoration; it’s character. He’s a man who believes he can script
reality the way movies script emotion. And like so many Columbo killers, he
can’t resist showing his ‘special knowledge’—which is exactly how the
Lieutenant gets his hooks in.
And from a production standpoint all that memorabilia is relatively easy for a movie studio to provide for the filming.
"I'll tell Mr. Welles..."
Meet Ed Begley Jr.
Chocolate is bad for doggos
Training the dogs
Guest cast notes
Kim Cattrall appears early in her career as Joanne Nicholls,
the troubled student living on Mason’s property. She brings a jittery
vulnerability that gives the story someone to worry about besides the obvious
victim.
She's got much better known later in her a career, of course, for playing Samantha in Sex in the City and for her roles in Star Trek.
The storm winds...
The magical pool table
An exclusive club
One small problem...
Just a few more things…
- The title is a sly riff on “Dial M for Murder,” but the episode’s real hook is less phone‑tech and more behavioral science.
- Season 7 really loved its unusual murder methods —this one might be the most visceral of the lot.
- There's a small continuity goof in the scene where Mason is lecturing on life control. He draws squares and circles around the Xs on the chalkboard, but moments later, they're gone or different.
- Columbo + dogs is always a winning combo. Even when the plot is grim, Falk finds a way to give the hour a little warmth.




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